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Women Within

A novel by Anne Leigh Parrish | Published by Black Rose Writing
Praise for Women Within

Women Within is a finely crafted tale of three outcast women, their struggles, and their lives.
Foreword Reviews 

Stand up women everywhere! Fantastic and inspirational!
– 2017 Maxy Awards, Best Fiction Winner 

From Foreward Reviews
Relevant and expertly arranged, this novel is composed of stirring and sympathetic trials and tribulations.

Women Within interweaves three women’s lives in an introspective, literary fashion.

The narration showcases the thoughts and emotions of each of its protagonists—Constance, Eunice, and Sam. Each of the novel’s three parts tells one of the women’s stories, starting from childhood and ending at a point that leaves all three lives overlapping. The story spans from the 1920s to the present, as each struggles with the expectations of family and society.

Each woman is faced with a different set of problems, though it becomes obvious that the social roles and appearances that they are held to are consistently harmful and silencing. The women are denied opportunities, forced into romantic obligations, and ostracized for their inability to reform themselves as others would like.

With the one-part-per-woman format, chapters shift between the present and the past to give a well-rounded understanding of the women’s origins. This method effectively unravels the characters, as well as integrating each woman into other parts of the book that are not explicitly about her.

The story takes place largely within the women’s minds; there is little overt action. Still, there are no lulls in this perfectly paced book. Everything moves in a way that keeps attention focused on what’s happening. There is an open-ended quality to the ending, though, that does not pack the punch of the stories leading up to it.

Women Within is a finely crafted tale of three outcast women, their struggles, and their lives. It is relevant and expertly arranged, and composed of stirring and sympathetic trials and tribulations. – Shana Creaney (September/October 2017)

From Manhattan Book Review
The writing is beautiful, and often becomes lyrical and poetical

Women Within by Anne Leigh Parrish is the story of three women whose lives crisscross at a retirement home in a lyrical tale that examines a life well lived.

Constance is a retired professor and staunch feminist living out the end of her life at the Lindell Retirement Home. As she examines her life’s ups and downs, she connects with Eunice. Eunice has been a bit unlucky in love, but continues to enjoy her solitary life as a caregiver putting others first. The newest addition to the Lindell staff is the ungainly Sam, who finds solace in poetry and tiny beautiful things that offset a rather unfortunate childhood. The book is essentially divided in three, and follows each of the three’s trials and tribulations.

The writing is beautiful and often becomes lyrical and poetic. Each of the women have distinct voices and characterization that their section wonderfully layers through their POV. Constance’s desire to be independent and strong, but without giving in, and marrying men who look down upon her, Eunice’s own goal of finding a worthwhile partner, and Sam’s fitting desire to find not only self-worth, but a place she fits in.—all of whom find some solace in Lindell, despite suffering some setbacks.

This is a book about experiences and the uncertain journey of life. None of the women wind up where they truly wanted to be. Painful mistakes never deter Constance, Eunice, or Sam from striving to finding their own happiness and meaning. Much of their present circumstances came about due to decisions fleshed out in the backstories. On top of which, a few of the characters have surprising connections and secrets that add a delicious layer on top of the already fantastic story.

Women Within is an intricate and engaging examination of three women connecting in an unlikely situation with flowing prose, stellar characterization, and vivid scene setting in a small package that’s sure to stick with you long after the last page. – John Murray (September 2017)

From Seattle Book Review
This is a book that deserves wide readership.

Constance Maynard is living in a retirement home, but she hasn’t lost the fierce independence that has marked her life. And quite a life it has been, one filled with the kind of professional fulfillment few women were able to achieve when she was a young woman. Her childhood was difficult, but maybe that was really what her strong enough to do what she needed to do to find her own kind of happiness in a world that expected, nearly demanded, that women be something else entirely from what Constance wanted herself to be. She really finds her freedom through two major events – living with a step-grandmother who has enough wealth to give them both freedom, and taking a research trip to England where an elderly woman gifts her with an unfinished piece of needlework bearing a message Constance finds compelling. She breaks her engagement with a man most women would find to be perfect, but builds her own life and finds herself unmarried with a child to raise – and that is a story in itself.

If her life story weren’t interesting enough (and it truly is), author Anne Leigh Parrish weaves in the stories of two caregivers at the retirement home – Eunice Fitch and Sam Clark – each on a life mission of her own. Eunice may be the best caregiver on the planet. She is simply great with the clientele at the retirement home. She has developed her skills caring for her grandmother, who left her a very nice inheritance. While Eunice is great with old people, she isn’t great with handling money or finding a good man – until she is. Sam is a “big girl,” and that, for much of her life, defines her to herself if not to everyone around her. She also grew up without a father, having been told her father had died when she was two. But the truth is far more intriguing than that.

Frankly, it’s hard to believe this book is no on everyone’s radar. This is a story that will resonate with so many women – women of any age and nearly any background. Anne Leigh Parrish has done a truly spectacular job of bringing these three women, only tangentially connected, together in this sweet and remarkable story. The writing is crisp and yet sometimes quite lyrical. The characters are full realized and completely believable. This is a book that deserves wide readership and will be one of those books that will be kept and re-read. This is a real winner.– Rosi Hollinbeck (September 2017)

Excerpt from Women Within

Part One

The Lindell Retirement Home was lovely. Wide lawns could be reached through automatic glass doors at the end of every hall. Secluded patios with benches and flowering plants made for pleasant sitting in the warm months. The common areas were full of natural light and good quality art, often by a resident’s own hand. Some wings had an aquarium or well-populated birdcage, and one, Skilled Nursing, offered a very large stuffed dog that on occasion brought a smile to the faces of the dementia patients. The overall impression was one of calm, poise, and comfort.

Within the rooms themselves, there was less comfort. Aging wasn’t easy. Memory was unsure, especially with the help of certain frequently prescribed drugs. Physical discomfort was quite prevalent, for which, ironically, fewer drugs were prescribed.

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Constance Maynard, age ninety-two, knew this well and would have shared her complaints, had she cared to. At the moment, she just wished Eunice and Sam would ease up a little. They were attempting to wash her feet by putting them in a plastic tub full of warm, soapy water. Constance thought the task should be simple enough. She didn’t see why it required four hands to manage it. They always teamed up when any sort of bathing or dressing was needed. Weren’t they the oddest pair? Fifty-something Eunice and twenty-something Sam. One, slight and wiry, the other, a linebacker. Big and Small. Short and Tall. Who’s the fairest of them all?

That was her sleep aid talking. The young doctor who came around told her rest was essential. Who was he kidding? Any moment now she would enter the realm of eternal rest. She should have the luxury of lying awake all night if she wanted to. Night was the traveling time. The time of seeing women within.

Eunice, the little one, knelt and lifted one gnarled foot out of the water, ran a scratchy washcloth between the toes, and lowered the foot back into the tub. The same was done to the other foot. Constance observed her feet with dismay. They certainly weren’t anything to brag about.

. . .

They had been once, small and shapely, so pretty in heels, worn out by years of walking back and forth before a blackboard, teaching morons the lessons history had to offer. Years of dull faces; years of dull minds. Engineering students needing to fulfill their liberal arts credits; fools who had no idea what to study and who got assigned to her lecture by that toad, Harriet, in Registration.

“Miss Maynard’s class is too hard for me,” whispered more than one curly-haired girl. Just there to get a husband and start cranking out imbecile children. The so-called research papers they wrote were scandalous. No matter how many times she went over proper footnoting procedure, their sources (if they were actual sources) went uncited. Her remarks were harsh and often caused tears. The Dean scolded her. She could be hard on the men, that was fine; they were serious, hoping for a bright future. The women, well, what could you expect? Constance fumed. And then, she was blessed when Angela Lowry signed up for her class. Angela had a first-rate mind and was eager to learn. She’d read everything on the War of the Roses. Her final paper was good enough to be published. When Constance checked one of her beautifully cited reference materials, she discovered that Angela had plagiarized a man writing two decades earlier, Dr. Harold Moss, at Harvard. She invited her to come to her office.

“I think you know why you’re here,” Constance said. She had brewed a cup of tea, hoping it would soothe.

“You caught me.” Just like that.

Angela didn’t even blink. What color was her hair? Like the inside of a yam, a pale orange. Her blouse was white with small red buttons, and embroidered roses on the collar. She had big hands that looked raw, as if she washed them a lot in harsh soap. Angela had wanted to test her professor, to see how good she really was. Hence the intentional plagiarism. Constance knew that was nonsense. The girl got stuck for time and panicked. Then she tried to talk her way out of it. Constance admired her moxie.

Was that a word anyone used anymore, moxie?

. . .

They were still fussing with her feet. Sam trimmed her nails. Eunice was talking.

“He says I’m kind,” she said. Her hair was bushy, copper streaked with gray.

“Aren’t you?” Sam asked. She had a pleasant voice for such a big girl.

“Never thought of myself that way before. Gullible, yes.”

And then to Constance, “You’re all done, dear.”

“Can’t you see I’ve still got the other one to do?” Sam asked.


Snip, snip, snip. Constance jerked her foot back.

“You need to hold still,” Sam said.

Sam clipped the last nail, on the little toe of Constance’s right foot, then wheeled her from her bathroom back into her bedroom. Eunice spread a blanket across her lap. The blanket didn’t quite cover her feet, which were now slippered, yet distinctly cold. She could never be comfortable when her feet were cold.

. . .

“You are, I can tell.”

“I am what?”

“Getting cold feet.”

Constance held her cocktail and looked down. A smell of lilac came in on the breeze lifting the gauze curtains in the study. Lilac was her favorite flower. They might have made a pretty wedding bouquet. She could feel William watching her. She smoothed one sleeve of her dress with her free hand. She brought the glass to her lips, then lowered it.


What had she told him on that long-ago afternoon? What reason did she give?

There were too many to count. They rolled through her mind, as her gin and tonic warmed in her hand. The breeze was a comfort, then it died, the curtains stilled, and she found her voice.

“I can’t.”

Nothing more was ever said between them. Not even when she returned the ring. She thought he might remark on that, at least. Choosing it was probably their most intimate moment. What he had first presented her with was a thin band that had belonged to his mother. The look on her face— shock that he would take such a step at all—was misinterpreted. He chided himself for not understanding how badly she would want her own ring, not one someone else had worn, however happily, for over forty years. At the jeweler’s he talked her into a larger diamond than she thought appropriate, or which looked good on her hand.

“Isn’t it rather … ?”

“Tasteful and grand?” he’d asked.

“Vulgar,” she wanted to say, but didn’t.

Of course, it was beautiful. Diamonds always are, and this was quite a good one. E color, very, very small inclusions, round cut. Two point three carats.

“It suits you, darling,” he whispered, under the jeweler’s approving gaze.

They met at Brown. Her field was history, his, philosophy. He was impressed by her academic ambitions, that she’d attended Smith College, that she was petite and self-possessed. He was no doubt used to women who swooned over his attention and the prospect of marrying his money. William was rich in that quiet, understated way people tend to find so attractive. He never called attention to his wealth. He dressed modestly. It was the family home that gave it all away. Abundant opulence. The silent, invisible servants. His aunt’s cool assessment of Constance, and then her grudging acceptance. Since his mother’s death, his Aunt Helen had run the show. William’s father made himself scarce. Like Constance, William was an only child.

He didn’t seem entirely surprised by her refusal. Her letters to him the summer before, written from London, had been cool and objective, unlike his, which were warm and intimate. In one, he’d even begged her to return early so they could be together. She said she couldn’t just yet because she still hadn’t found a good topic for her doctoral thesis. In truth, she’d already settled on the fifteenth century English queen, Anne Neville.

That era’s military campaigns and shifting factions were interesting enough, she supposed, but they were the stuff of men. She wanted to study the women. Marriages were political and strategic. Love, if it came, was after the fact. Anne Neville was a perfect example. She was married off at fourteen to a French prince who was killed trying to invade England. Then the widow of a dead traitor, she threw herself on the English king’s mercy. For her trouble, she was placed under the king’s guardianship, shut away, and urged to join a convent so the king could retain control of her fortune. Her only recourse was to marry the king’s brother. Such a rotten deal, Constance always thought. Trading one prison for another.

. . .

Eunice straightened the sheets on Constance’s bed while Sam removed dirty clothes from the basket in the closet. She put the clothes in a bag marked with Constance’s name and pulled the drawstring tight.

“Plans for the weekend?” Eunice asked her.

“Going through old stuff in the attic with my mother.”

Sam’s tone said it was really the last thing she wanted to do.

“Hm. You could tell her you’re sick or helping out a friend. Use me as an excuse, if you want to.”

“I can’t do that. She depends on seeing me. She’s—you know, needy.”

Constance nodded. Sam noticed.

“But you’ve never met her, Constance. You must be thinking of someone else,” Sam said.

. . .

Constance’s family fell apart when she was nine. They lived in Los Angeles. Her mother had dreams of stardom that never came true. Her father worked as a bookkeeper for a number of small businesses—a plumbing company, which Constance remembered him praising for paying their bills on time, also a small theater troupe where Constance’s mother had had several auditions, then one modest part, then poor reviews and a gentle invitation to leave the cast. It sat badly with her. She stayed home, a cigarette in her hand, circles below her eyes, stains on her bathrobe.

Constance was in awe of her mother because she had attempted something brave that other mothers didn’t, which made her failure more acute. When her mother made a new career out of disappointment and sloth, she lost interest in Constance. Constance escaped the pain of her rejection through books, into the world of knights and ladies fair. All those lovelorn women left to worry and wait while the men had their fun fighting. What did they do to pass the time? They reveled in the quiet and calm, no doubt, and kept busy with embroidery and weaving. The noble women would have held fine linens and lace; the servants sat at looms crafting tapestries to soften and warm stone walls.

Constance learned the art of needlework from her downstairs neighbor, Mrs. Pauline Lester. Her hands were gnarled terrors, yet quick and precise when wielding a needle. She sewed the most beautiful things! Fields of ornate flowers and birds, a young girl with flowing blond hair that made Constance despise her own raven curls, a small white dog sleeping on the threshold of a charming cottage in the woods. Constance began with a simple patterned canvas, following the outlines faithfully, crying when she erred and had to pull the tender thread from where it didn’t belong. The world of her imagination, populated with dreams and the fabric in her own hands kept her going, far from the sour mood of her mother and the stony silence of her father.

It was decided that Constance’s mother suffered from a nervous condition and needed to be in the company of people better able to help her. Constance waited with Pauline while her father put her mother and her one suitcase into the car and drove away. He was gone a long time. When he returned, he stood visibly straighter. His voice had a lighter tone. Soon, though, the task of caring for his young daughter weighed him down again. Constance’s father had been raised by his stepmother, then widowed and living in upstate New York. The stepmother was notified of the change in circumstance, and Constance was packed off on a train across country, alone, with her name and destination typed on a piece of paper and attached to the lapel of her coat with a safety pin. Her shock at the upheaval of her world was deep. What occupied a still deeper space within her was the splendor of the passing landscape. The desert seemed a glorious and terrifying place! She’d seen it before, of course, in little excursions with her parents before her mother cracked up. Pauline used those very words to a neighbor in her kitchen when she thought Constance was still embroidering in the living room, out of earshot.

It was as apt a term as any, Constance thought.

The woman who received Constance into her Dunston home on a still spring night was as solid as a rock. Lois Maynard would brook no nonsense, she informed Constance as she led the way up the dim stairway. But she would reward good behavior. Constance could be sure of that. In the years that followed, Constance was seldom punished and seldom praised. She was surprised to find how little she minded it. She adored school and excelled in all her subjects.

“A natural scholar,” more than one teacher said. When she wasn’t at her books, she embroidered. The owner of the yarn shop in town, Mrs. Lapp, smiled when she came in.

“It’s not the same shade of red,” Constance said. Mrs. Lapp stared at her sympathetically. To her, Constance was an unfortunate case. The grandmother—stepgrandmother—was well known. Her house, a mansion, really, was clearly visible on its high hill, particularly in winter when the trees bared. Not much of a life for a child, living in a cold place like that, Mrs. Lapp thought, though Constance was nearly thirteen at that point. She was small for her age, and had given up hoping she would be taller.

Mrs. Lapp checked the skein Constance had taken from the peg on the wall, then consulted her inventory book and assured Constance that the lot number was the same. Constance gave her what remained of the skein she’d used to embroider a row of roses. Mrs. Lapp took both skeins to the glasstopped door where the sunlight poured through.

“How right you are! The new is slightly more brown, isn’t it?” Mrs. Lapp asked.

Even so, there was nothing to be done. Mrs. Lapp suggested that Constance use the new wool in a corner, somewhere the eye wasn’t instantly drawn. Constance had already thought of that.

. . .

“It’s nice to see you smile,” Eunice said. Constance was not aware that she was smiling. She wanted a skein of that red wool—the proper color. She needed to finish her embroidery. She loved it so. She pointed to the table by her bed. The lower shelf had her rolled-up canvas. Eunice brought it to her, set it in her lap, and then she and Sam went on their way.